(E-E) Ev.g.e.n.i.j ..K.o.z.l.o.     Berlin                                                  


      Leningrad 1980s

• Sergey Kuryokhin and Pop Mekhanika – all documents
• Сергей Курёхин и Поп-механика – все документы


Hans Kumpf: My Trips to Russia

1980 - 1984


first published in
Russian Jazz: New Identity. Edited by Leo Feigin. London: Quartet Books, 1986
Translated from the German, by Christa Kuch and Martin Cooper. Courtesy of the author.

• page 1 • Introductory Remarks / Preface
Leningrad (May/June 1980) Contemporary Music Club

• page 2 • Leningrad (December 1980/January 1981)
LP Recording "Jam Session Leningrad"

• page 3 • Leningrad/Moscow (June 1981)
John Fischer and Sergey Kuryokhin; LP Recording “Jam Session Moscow”

• page 4 • Leningrad / August 1983
Sergey Kuryokhin and Friends: Leningrad Collective Improvisations (english)

• page 5 • Leningrad / August 1983
Sergey Kuryokhin and Friends: Leningrad Collective Improvisations (deutsch)

• page 6 • Moscow, the Baltic States and Leningrad (April 1984)
Pop Mekhanika; LP Recording “On a Bltic Trip”

• page 7 • Documents
Kevin Whitehead: Hans Kumpf and Anatolij Vapirow Trio – Jam Session Leningrad

• page 8 • Documents
Russian Jazz Lives! Milo Fine about Hans Kumpf's recordings (1986)

• Hans Kumpf and Sergey Kuryokhin: read the article by Hannelore Fobo (Sept. 2017)


• page 2 • Leningrad (December 1980/January 1981)
LP Recording "Jam Session Leningrad"

During my first visit to the Soviet Union I had a warm invitation from my Leningrad friends in the Contemporary Music Club to pay them another visit in the near future. What I actually wanted to do was to take my own group, AK-Musick, which was founded in 1971 and improvises free music. The group appeared at the German Jazz Festival in Frankfurt-am-Main in 1972 and five years later at the Ludwigsburg Jazz Festival, featuring the pianist John Fischer. In the end, however, I was the only one to keep my promise and go to Russia, at the end of 1980 and the beginning of 1981.

Aleksandr Kan, Sergey Kuryokhin, Hans Kumpf and Alexander Alexandrov
Musorgsky Musical College, Leningrad, December 1980. Archive Hans Kumpf

Good-quality tapes are in short supply in the Soviet Union and I therefore arrived well provided. My Leningrad friends were able to organize a 'private' recording. The players were Anatoly Vapirov, Sergey Kuryokhin and Alexander Alexandrov. The music clicked in spite of the language difficulties (the Russian jazz musicians could barely speak English) because of the common code of music. In the performance of the pieces nothing definite was prearranged except for the instrumentation and a vague outline of what was to be played.

Sergey Kuryokhin, Anatoly Vapirov and Alexander Alexandrov
during the recording of "Jam Session Leningrad” / Джем сешн Ленинград
Sound studio of the Musorgsky Musical College, Leningrad, December 1980.
Photo: Hans Kumpf

On that occasion everything was very intellectually orientated, but next day's concert in the Lensoveta Hall was marked by more emotional moments and 'happenings' . Only the inner circle of avant-garde jazz enthusiasts had been invited and there was a certain air of secrecy about the whole thing. Once again there were no difficulties over musical understanding. Of the Russian players I was most impressed by the bass player Vladimir Volkov, with whom I played a delightful and subtle duet. I was also fascinated by the attentiveness and warmth of the audience.

Sergey Kuryokhin, Anatoly Vapirov, Vladimir Volkov, Hans Kumpf and Alexander Alexandrov
Contemporary Music Club at the Lensoviet Palace of Culture, Leningrad, December 1980
Photo: Hans Kumpf

Sergey Kuryokhin, Anatoly Vapirov, Hans Kumpf and Alexander Alexandrov
Contemporary Music Club at the Lensoviet Palace of Culture, Leningrad, December 1980
Photo: Hans Kumpf

Sergey Kuryokhin
Contemporary Music Club at the Lensoviet Palace of Culture, Leningrad, December 1980
Photo: Hans Kumpf




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