(E-E) E.v.g.e.n.i.j ..K.o.z.l.o.     Berlin                                                  


       Leningrad 80s • No. 125 >>

Joanna Stingray.
Music Videos With Art by (E-E) Evgenij Kozlov.

The Making of the Shades of Yellow and Drama.

16 November 2025, Berlin

Page 3: (E-E) Evgenij Kozlov: Portrait of Joanna Stingray

Page 1: Contributors >>

Page 2: Shades of Yellow >>


(E-E) Evgenij Kozlov
"E-E" (Portrait of Joanna Stingray)
Mixed media on canvas, 40 x 60 cm, 2026

Text: Hannelore Fobo, 2026

Joanna Stingray with her portrait by (E-E) Evgenij Kozlov, 2026 Photo courtesy J Stingray

Joanna Stingray with her portrait by (E-E) Evgenij Kozlov, 2026
Photo courtesy J Stingray



(E-E) Evgenij Kozlov. Transformation of Joanna Stingray's portrait in three steps. Photo: Hannelore Fobo

(E-E) Evgenij Kozlov. Transformation of Joanna Stingray's portrait in three steps.
Photo: Hannelore Fobo

Asked by Joanna Stingray, E-E Kozlov created her portrait with a picture Stingray selected from the Shades of Yellow performace. The photographs above present the composition's evolution in three steps, starting with a paper printout in an A4 format.

Kozlov first provided the figure of Joanna with large yellow wings, applying them with the same yellow ink he had used for his live performance for Shades of Yellow (see previous page). This heavenly attributes make her look as if she was taking off from the ground.

He then combined painting and collage techniques – ink, lacquer paint markers, acryllic paint, and different stickers (a dove, gold and silver stars) – and supplied the lower border with a neon green felt ornament, a spring meadow surrounding Stingray's legs that stands in colourful contrast to the red stripes above. The stars and stripes can be seen as a paraphrase of the American flag, while the dotted meadow is reminiscent of the easy-going flower-power appeal of the sixties and seventies, especially that of California, Stingray's home.

Following that, Kozlov had the composition printed on canvas, where he further extended one of Stingray's yellow wings and added numerous tiny dots along the edges to soften the transition towards the white border. Dots now also highlight Stingray's black jeans, turning them into elegant thigh boots, as well as the letter "O", part of the word "Love" printed on her jacket.

 (E-E) Evgenij Kozlov "E-E" (Portrait of Joanna Stingray), 2026 Collage on paper. Detail of Joanna Stingray's jacket. (E-E) Evgenij Kozlov "E-E" (Portrait of Joanna Stingray), 2026 Work on canvas. The same detail with the letter O dotted.

(E-E) Evgenij Kozlov
"E-E" (Portrait of Joanna Stingray), 2026
Collage on paper. Detail of Joanna Stingray's jacket.

(E-E) Evgenij Kozlov
"E-E" (Portrait of Joanna Stingray), 2026
Work on canvas. The same detail with the letter O dotted.




Since the canvas is about four times larger than the original, this also gave the artist the possibility to change some other small details: thus, he overpainted the dove's red legs and removed part of the golden star fragments form Stingray's fingertips.

(E-E) Evgenij Kozlov "E-E" (Portrait of Joanna Stingray), 2026 Collage on paper. Detail with the sticker of a dove In the biblical story of Noah’s Ark, the white dove is a symbol of peace and reconciliation  (E-E) Evgenij Kozlov "E-E" (Portrait of Joanna Stingray), 2026 Work on canvas. Kozlov painted the bird's feet white. Above, Kozlov stamped his signature E-E, and the dove is now flying towards the artist's chosen name.

(E-E) Evgenij Kozlov
"E-E" (Portrait of Joanna Stingray), 2026
Collage on paper. Detail with the sticker of a dove
In the biblical story of Noah’s Ark, the white dove is a symbol of peace and reconciliation


(E-E) Evgenij Kozlov
"E-E" (Portrait of Joanna Stingray), 2026
Work on canvas. Kozlov painted the bird's feet white.
Above, Kozlov stamped his signature E-E, and the dove is now flying towards the artist's chosen name.

(E-E) Evgenij Kozlov "E-E" (Portrait of Joanna Stingray), 2026 Collage on paper. Detail of fingertips with fragments of stars as nails. (E-E) Evgenij Kozlov "E-E" (Portrait of Joanna Stingray), 2026 Work on canvas. Kozlov painted the index and middle fingers black and gave the thumb a black contour. He then used a white marker to partially reshape the hand.

(E-E) Evgenij Kozlov
"E-E" (Portrait of Joanna Stingray), 2026
Collage on paper. Detail of fingertips with fragments of stars as nails.


(E-E) Evgenij Kozlov
"E-E" (Portrait of Joanna Stingray), 2026
Work on canvas. Kozlov painted the index and middle fingers black and gave the thumb a black contour. He then used a white marker to partially reshape the hand.



For his portrait of Joanna Stingray, E-E Kozlov drew on his experience gathered from Part 3 his cycle "CENTURY XX", his current large-scale project. For Part 3, he used scans of graphic works on paper from the second part of the cycle and printed them on large canvases, where he added more features more >>.

(E-E) Evgenij Kozlov. Studio shot Photo: Hannelore Fobo, 2026

(E-E) Evgenij Kozlov. Studio shot
Photo: Hannelore Fobo, 2026

The picture above demonstrates that the portrait's colours and shapes correspond to Kozlov's present stylistic practise:
The painting behind Joanna Stingray's portrait shows the lower right part of an overpainted print on canvas from the "Century XX" series –WE THINK FOR OURSELVES (2009/2019/2025). At the bottom, leaning against the wall, are several small works on paper from 2025 displaying dancing angelic figures.



(E-E) Evgenij Kozlov "E-E" (Portrait of Joanna Stingray) Mixed media on canvas, 40 x 60 cm, 2026, framed Photo: Joanna Stingray

(E-E) Evgenij Kozlov
"E-E" (Portrait of Joanna Stingray)
Mixed media on canvas, 40 x 60 cm, 2026, framed
Photo: Joanna Stingray
Uploaded 21 April 2026